COIMBRA
The city, located over a
hill by the river Mondego, was called Aeminium in Roman times. During
late Antiquity it became the seat of a Diocesis substituting the nearby city of
Conímbriga, which had been captured and partially plundered by invading
Germanic peoples in 465 and 468, adopting later the name of the destroyed city.
After the Roman city of Civita Aeminium, between 586 and 640, the
Visigoths altered the name of the town to Emínio. The Moors ocuppied
Coimbra around the year 711, turning it into an important commercial link
between the Christian North and Muslim South. The city was definitely
reconquered by Ferdinand I of Leon in 1064.
After being reconquered by
the Christians, Coimbra became the capital of a new County (County of Coimbra),
governed by the Mozarab Sesnando (Sisnando Davides), later
incorporated into the County of Portugal. In the mid-12th century, the first
Portuguese King, Afonso Henriques, turned Coimbra into the capital of the new
Kingdom, a condition the city would keep until the year 1255. Many important
monuments of the city date from this early period, like the Old Cathedral, the
Church of St. James (Igreja de Santiago) and the Santa Cruz Monastery,
which was the most important Portuguese monastic institution at the time.
Already in the Middle Ages
Coimbra was divided into an upper city (Cidade Alta or Almedina),
where the aristocracy and the clergy lived, and the low city (Cidade Baixa)
by the river where most commercial activities took place. The city was
encircled by a fortified wall, of which some remnants are still visible like
the Almedina Gate (Porta da Almedina). The most important work in gothic
style in the city is the Old Santa Clara Convent (Convento de Santa
Clara-a-Velha), founded in the left side of the river Mondego by Queen
Elizabeth in the first half of the 14th century. The Monastery was located too
close to the river, and frequent floods forced the nuns to abandon it in the
17th century, when the New Santa Clara Convent (Santa Clara-a-Nova) was
built uphill. The Queen's magnificent gothic tomb was also transferred to the
new convent. The ruins of the old convent have recently been unearthed and can
be seen today in the left bank of the river.
In the 15th and 16th
centuries, during the Age of Discovery, Coimbra was again one of the main
artistic centres of Portugal thanks to both local and royal patronage. Coimbra
bishops, religious orders and King Manuel I supported artists like Diogo Pires
(father and son), Marcos Pires, João de Castilho, Diogo de Castilho and the
Frenchmen, João de Ruão and Nicholas of Chanterene, among others, who left
important manueline and renaissance works in the town. Date from this period
the remodelling in manueline style of the Santa Cruz Monastery, including the
tombs of Kings Afonso Henriques and Sancho I, the renaissance Manga Fountain,
the altarpieces and triumphal portal of the Old Cathedral, among other works.
The University of Coimbra,
founded in Lisbon in 1290 by King Dinis I, was definitely transferred to the
premises of Coimbra Castle in 1537 by King John III. Since then, the city life
has revolved around the state-run university, and for many decades, several
colleges (colégios) created to provide an alternative to the official
form of teaching and established by the religious orders in the city, which
were later gradually discontinued through the times with the secularization of
teaching in Portugal. Built in the 18th century, the Joanina Library (Biblioteca
Joanina), a baroque library, is other notable landmark of the ancient
university, and the University Tower (Torre da Universidade), a baroque
construction, from the school of the Italian architect Ludovice, built between
1728 and 1733, is the city's «ex-libris».
The first half of the 19th
century was a difficult period for Coimbra, invaded by French troops under the
command of Andoche Junot and André Masséna. The city recovered in the second
half of the century with infrastructure improvements like the telegraph, gas
light, the railway system and a railway bridge over the Mondego river.
Apart from the monuments
already mentioned, it is also worth a visit to the New Cathedral of Coimbra
(17th century) and the Machado de Castro Museum, the second most important one
in Portugal, housed in the former Palace of the Bishops. The city also houses
the University of Coimbra General Library, Portuguese second biggest library,
after the National Library in Lisbon, and the Botanical Garden of the
University of Coimbra from the 18th century.
Coimbra is also known for
the reduced child-scale buildings in the Portugal dos Pequenitos park.
These buildings are scale copies of Portuguese architectural landmarks and were
built in the 1950s and 1960s.
Fado de Coimbra (Coimbra Fado) is a highly stylized
genre of fado born in the city of Coimbra. Guitar player Carlos Paredes
and singer Zeca Afonso, are among its most renowned and historical figures.
Orfeon Académico de
Coimbra, the oldest
and most famous academic choir in Portugal, an autonomous organization of the
students' union Associação Académica de Coimbra, established in 1880 by
a law student, and the fado section of Associação Académica de
Coimbra itself, are important organizations in Coimbra fado promotion and
preservation.
According to tradition, to
applaud fado in Lisbon you clap your hands, in Coimbra you cough as if clearing
your throat
Coimbra is also known for
its university students' festivals. Two are held every year. The first one, Latada
or Festa das Latas (The Tin Can Parade), a homecoming
parade, occurs in the beginning of scholar year, and is a welcome to the new
university students (Caloiros). The Festa das Latas goes back to
the 19th century when the Coimbra students felt the need to express their joy
at finishing the school year in as loud a way as possible, using everything at
their disposal that would make noise, namely tin cans. The highlight of this
festival, which now takes place at the beginning of the academic year
(November) is the special parade known as the Latada. After marching
through the streets of the city the new students are baptized in the
Mondego River thus entering into the Coimbra academic fraternity. The 2nd
year's students are awarded their Grelos (a small ribbon). The Grelo
is a small, woollen ribbon with the color(s) of the student's faculty that is attached
to a student's briefcase. Previous to this, at the morning the students must
have visited the Dom Pedro V market where they must get a turnip to sustain the
Caloiros during the day's festivities. Besides the tin cans they have
tied to their legs, the new students wear all kinds of costumes made up
according to the creativity and imagination of their godmothers or godfathers
who are older students. They also carry placards with ironic criticisms
alluding to certain teachers, the educational system, national events and
leaders.
The second one, Queima
das Fitas (The Burning of the Ribbons), more important than the
first, takes place at the end of the second semester (usually in the beginning
of May) and it is one of the biggest student parties in all Europe. It lasts
for 8 days, each for each University of Coimbra's Faculty: Letras
(Letters), Direito (Law), Medicina (Medicine), Ciências e
Tecnologia (Sciences and Technology), Farmácia (Pharmacy), Economia
(Economics), Psicologia e Ciências da Educação (Psychology and Education
Sciences) and Ciências do Desporto e Educação Física (Sports Sciences
and Physical Education).
Although being University
of Coimbra's festivals, other higher education students of Coimbra such as the
polytechnic's students or private institution's students, are invited every
year by the University of Coimbra students who manage and organise this events,
to participate in the Tin Can Parade and also in the Burning of the
Ribbons.
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